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What defines a “cult classic” film? Though there exists no cohesive, comprehensive, widely recognized definition that can be used to classify a film as either undeniably cult, or undeniably not, I think of it like Supreme Court Justice Potter Steward though of pornography: I usually know one when I see it.
Of course, gauging the cult appeal of time-tested movies like Eraserhead, Rocky Horror, or Dark Star is relatively easy; with decades of eyes on them, opinions as to their cultural status are relatively settled. Listing the defining cult films of the more recent past requires additional flexibility, but there are a few inarguable criteria: movies that were written off upon initial release but experienced an unexpected afterlife, gaining fans slowly whether because they were ahead of their time, displayed layers few noticed at first, or, sometimes, because of their undeniable (often unintended) camp value.
These 60 new cult classics movies fall into one or more of those categories, and all of them are worth a second look.
The Fall (2006)
This colorful dark fantasy from director Tarsem (The Cell) was critically divisive and a box office under-performer in 2006, but its cult started growing as soon it was released on DVD, its adherents beguiled by the exotic imagery and moved to tears by the haunting story of a depressed stuntman spinning out a long suicide note in the form of a story told to a young girl, his fellow convalescent in a run-down hospital. It only grew in cult stature when the DVD went out of print, commanding high prices on the used market, even as rights issues kept it off streaming. But no more: This month, it finally comes to the streaming service MUBI in an exclusive 4K remaster.
Where to stream: MUBI (starting Sept. 27, 2024)
Barb and Star Go to Vista Del Mar (2021)
Starring Annie Mumolo and Kristen Wiig, who wrote Bridesmaids together, this oddball buddy comedy follows a couple of lifelong, small-town friends who decide to go on tropical vacation for the first time after getting fired from their boring furniture store job. I’ll stop there, because no synopsis can really capture the absolute batshit weirdness that follows, including killer mosquitos, an assassination plot, an inflatable banana ride, and culottes as a life-saving device.
Where to stream: Hulu, digital rental
The People’s Joker (2022)
It’s impressive that director Vera Drew’s semi-autobiographical.painstakingly crafted low-budget queer satire/coming-of-age story got made at all. It’s practically a miracle that it also got released, what with all the very specific and deeply idiosyncratic references to DC comics. In a dystopian world in which the Batman is a judgmental Big Brother enforcer, it’s the weirdos, queerdos, and freaks he’s monitoring who are the real heroes.
Where to stream: digital rental
Ginger Snaps (2000)
Equally effective as satire and as horror, Ginger Snaps makes brilliant use of werewolves as a metaphor for puberty generally, but also links lycanthropy to menstruation in a way that is much more specific and interesting. The special effects are old-school great, the leads are fabulous and, although it lost a ton of money at the box office, it quickly developed enough of a following to beget two pretty decent sequels.
Where to stream: Peacock, Tubi, Crackle, Prime Video
Hedwig and the Angry Inch (2001)
A movie musical (based on an Off-Broadway cult hit in its own right) about a gender-queer punk rocker with a title referring to the results of a botched gender affirmation procedure was only ever going to be a cult classic. But the film’s overwhelmingly large heart and a score that genuinely rocks have cemented its reputation as a genuinely great film rather than merely a novelty.
Where to stream: digital rental
Mulholland Drive (2001)
David Lynch’s sporadic output over the last couple of decades makes this one of only two feature-length film projects he’s completed in that time. Though it barely made any money back in 2001 and opened to very mixed reviews, this love/hate letter to Hollywood has come to be (justly) regarded as one of his best, and most oddly crowd-pleasing, works: an L.A. noir about murder and obsession and a blue box that’s very significant of…something.
Where to stream: digital rental
Ghost World (2001)
The slightly meandering graphic novel adaptation is also a funny and real portrait of teenage alienation, and has the good sense to position Steve Buscemi as an unlikely love interest. (Thora Birch and a pre-breakout Scarlet Johansson play irresistibly glum teens.)
Where to stream: MGM+, Tubi, digital rental
Session 9 (2001)
Director Brad Anderson took a hard right turn from romantic comedy into psychological horror with this wildly atmospheric, but little seen, thriller about an asbestos abatement crew doing clean up at an old-timey abandoned mental asylum. Which you’d definitely expect to go well.
Where to stream: digital rental
Super Troopers (2001)
A movie of patchwork scenes that somehow birthed not only a bevy of in-jokes but a couple of decades worth of sequels and side-quels (Super Troopers 2, Beerfest, Club Dread, The Slammin’ Salmon, etc.). This one actually did decentbox office business, but its afterlife has been wildly out of proportion to its initial reception.
Where to stream: Hulu, digital rental
Wet Hot American Summer (2001)
David Wain and Michael Showalter produced, perhaps, the fullest expression of their smart/silly sensibilities with Wet Hot, a movie that lost tons of money on release and somehow wound up on lists of 2001’s best and worst movies. It’s a delight, and caught on so big that it inspired two follow-up series for Netflix that lost none of its awkward specificity.
Where to stream: Starz, digital rental
Paid in Full (2002)
Produced by Roc-A-Fella Records co-founder Jay-Z and Dame Dash and dramatizing a tale of legendary NYC drug dealers, this crime drama derives much of its cult status from the hip-hop fans who appreciate its realistic characters, if not its more derivative plot.
Where to stream: Paramount+, digital rental
Hundreds of Beavers (2022)
A huge hit on the festival circuit, Hundreds of Beavers delighted roadshow audiences with its live-action Looney Tunes-esque charms and, naturally, its abundance of beavers. It’s is absolute comic anarchy following a man being menaced by…well. It’s one legitimately hilarious silent film-style gag after another on an impossibly low $150,000 budget.
Where to stream: digital rental
Skinamarink (2022)
No plot, just unsettling vibes in writer/director Kyle Edward Ball’s horror film that began life as a YouTube channel devoted to recreations of the childhood nightmares submitted by users. A 4-year-old named Kevin injures himself while home alone with his 6-year-old sister, Kaylee, and the movie masterfully recreates the the unsettling feeling of a child’s twilight world.
Where to stream: Shudder, Hulu, digital rental
Bubba Ho-Tep (2002)
Bruce Campbell plays an aged Elvis Presley alongside Ossie Davis’ John F. Kennedy in a nursing home plagued by an ancient Egyptian mummy. That enjoyably silly premise (not to mention Campbell’s involvement) is nearly enough to guarantee the film’s cult status, but writer/director Don Coscarelli treats his lead characters with a surprising and elevating dignity.
Where to stream: Tubi, Prime Video
Oldboy (2003)
Oh Dae-su is abducted off the street and imprisoned for 15 years, becoming enmeshed in a web of conspiracy when he’s finally released and sets off to seek vengeance. This ultra-violent classic is thrillingly vibrant but too punishingly violent for the mainstream (which Spike Lee found out when he tried to remake it in English).
Where to stream: Netflix, digital rental
Tiptoes (2003)
Not only bad, but indefensible, this movie ended the career of its director, Mark Bright, and its big-name stars (Matthew McConaughey, Kate Beckinsale, Gary Oldman, Patricia Arquette, and Peter Dinklage) never speak of it. McConaughey plays the only average-height member of a family of short-statured individuals. Including Gary Oldman, cast as a person with dwarfism. It frequently comes up on lists of worst movies ever, which absolutely lends it a bit of how-did-this-get-made appeal. Which is how many cult movies kick off in the first place.
Where to stream: Prime Video, digital rental
Beau is Afraid (2023)
My own favorite movie of 2023 is a multi-hour anxious fever dream from director Ari Aster, going several steps further into weirdo territory than even his earlier films Hereditary and Midsommar. Jaoquin Phoenix gives a totally ego-less performance as an anxious, neurotic agoraphobe who must venture out of his oppressive shoebox apartment and into a terrifying world on a quest to visit his sick mother. Love it or hate it, it was never going to do huge numbers at the box office, but was always going to be a huge cult object.
Where to stream: Paramount+, digital rental
American Splendor (2003)
Along with Ghost World, American Splendor offered an (as yet) unrealized promise that we might see more comic and graphic novel adaptations not involving Batman. Starring greats Paul Giamatti and Hope Davis as underground comic creators Harvey Pekar and Joyce Brabner, it’s a stylish portrait of a couple of everyday people who also happen to be great American artists.
Where to stream: Max, digital rental
The Room (2003)
Oh, hai Mark! Tommy Wiseau’s film became a cultural moment purely on the strength of its unaffected strangeness. Full of weird extended sex scenes and nearly incomprehensible dialogue, it’s a vanity project par excellence, and the kind of camp classic that could only be made by someone who thought they were making something entirely serious.
Where to stream: Tommy Wiseau has it posted in full at Internet Archive
Harold and Kumar Go to White Castle (2004)
It did OK at the box office back in 2004, but found new life on DVD later on. In plenty of other stoner-type comedies, Indian- and Korean-Americans are most likely to show up as secondary characters and broad stereotypes—here they’re in the lead. It doesn’t hurt that the talented John Cho and Kal Penn have gone on to wildly successful careers beyond playing Harold and Kumar in this film and its two (less worthwhile) sequels.
Where to stream: digital rental
Sisu (2022)
A grizzled, broken-down lone prospector trudges across northern Finland during the last days of World War II, hoping to trade in his small gold stash in town. Some German soldiers heading out of the country decide that he’s easy game—but it quickly becomes apparent that they’ve fucked with the wrong guy. Think John Wick, but with fewer assassins and more Nazis.
Where to stream: Starz, digital rental
Birth (2004)
This meditative, twisty psychological drama from Jonathan Glazer alienated audiences and critics alike upon release, probably because the creepy premise—a woman (Nicole Kidman) is convinced a 10-year-old boy (Cameron Bright) is the reincarnation of her dead husband—was so, well, creepy. But if you can look past being weirded out that they share a (entirely non-sexual) bath together, it’s a moving consideration of grief and obsession, and it has attracted some quite fervent adherents.
Where to stream: digital rental
Maqbool (2004)
An Indian take on MacBeth set against the backdrop of the modern Mumbai underworld, Maqbooi boasts thoroughly impressive style, dark wit, and a stirring central performance from star Irrfan Khan. It’s didn’t do terribly well at the Indian box office in 2004, but won acclaim and built a fanbase almost immediately.
Where to stream: digital rental
Madame Web (2024)
How does a Spider-Man (well, Spider-adjacent) movie become a cult classic? By being laughably bad, a lot weird, and by peppering its runtime with hilariously obvious Pepsi product placement. (Also an instant so-bad-it’s-actually-really-good classic.)
Where to stream: Netflix, digital rental
Brick (2005)
Rian Johnson has never made a bad movie (I said what I said), and that streak started with his neo-noir riff on the hardboiled crime novels of Dashiell Hammett. By transplanting those elements to a story about heroin and high school, Johnson could have wound up with something silly—but instead produced a low-budget early triumph (that is, OK, still slightly silly).
Where to stream: digital rental
Kiss Kiss Bang Bang (2005)
High-concept screenplay specialist Shane Black kicked off his career as a director with a hard-action satire that proved his credentials as a filmmaker and launched a career resurgence for Robert Downey Jr. that reminded us of everything we liked about him, just in time for Iron Man.
Where to stream: digital rental
Lords of Dogtown (2005)
Catherine Hardwicke’s skateboarding drama (involving a fictionalized version of the skateboarding team portrayed in the 2001 Dogtown and Z-Boysdocumentary) tanked at the box office and received mixed reviews, but time has been kind to the film, particularly among skateboarders, and especially for Heath Ledger’s turn as the volatile Skip Engblom.
Where to stream: digital rental
Black Snake Moan (2006)
With a great Mississippi Blues soundtrack, a steamy atmosphere, and all-in performances from Samuel L. Jackson and Christina Ricci, the story of a blues musician who sets out to cure a young sex addict by any means necessary is very much a love-it-or-hate it affair—but it’s certainly memorable.
Where to stream: digital rental
The Wicker Man (2006)
While the 2006 Wicker Man remake lacks the original’s sly creepiness or folk horror sensibilities, it does have Nicholas Cage in full-on Nicholas Cage mode (NOT THE BEES!), the whole thing playing as parody—intentional or not (though, I think, not). It’s easy to see why audiences stayed away in 2006, and just as easy to see why it developed a reputation as a minor cult classic.
Where to stream: digital rental
Sunshine (2007)
A slow-moving (until it isn’t) psychological thriller, Danny Boyle’s story of astronauts on a mission to reignite the sun is the kind of science fiction movie it would be nice to have more of. More’s the pity that it tanked initially, though its reputation has grown in the 15 years since.
Where to stream: digital rental
Timecrimes (2007)
A wild physics puzzle of a film that, before long, leans into horror, this Spanish-language film involves a regular guy named Héctor who finds himself in the middle of a time travel experiment. A tragic mistake leads him to go around again in an attempt to make things right…which only makes things much, much worse.
Where to stream: Tubi, Crackle, Prime Video
Mr. Nobody (2009)
A more wistful sci-fi take, Mr. Nobody stars Jared Leto as the last mortal person on Earth at 118 years old. Surrounded by virtually ageless fellow humans, he reflects on his life and the roads not taken. It’s ambitious and beautifully shot, and either fascinating or interminable, depending on the viewer.
Where to stream: Tubi, Prime Video
Jennifer’s Body (2009)
Diablo Cody’s feminist-infused satanic satire was marketed as a straight-up horror back in the day, probably explaining its mixed reception. Megan Fox plays the demonically possessed title high schooler, with Amanda Seyfried co-starring as the bestie who tries to end her killing spree. It should be no surprise that those themes have only gotten more relevant with time.
Where to stream: Hulu, Tubi, digital rental
Lisa Frankenstein (2024)
Lisa Frankenstein, the very fun story of a 1980s teen who resurrects a dead Victorian with whom she can share adventures, gets extra cult points for having flopped at the box office. Given it was written by Diablo Cody as a sort-of spiritual successor to cult-beloved Jennifer’s Body, I have to imagine that audiences will find this one too, given some time.
Where to stream: Peacock, digital rental
We’re All Going to the World’s Fair (2021)
An ambiguous coming-of-age horror movie, We’re All Going to the World’s Fair locks you in the bedroom of a teenager (Anna Cobb) engaging in a viral creepypasta-esque ritual meant to draw her into an an online role-playing game. Others who have done so have experienced weird, inexplicable phenomena. It’s kind of like falling alseep with YouTube on and waking up at 3 a.m. in front of the weirdest video you’ve ever seen. (Director Jane Schoenbrun’s 2024 followup I Saw the TV Glow is another cult contender, if maybe a bit too critically beloved to qualify.)
Where to stream: Max, digital rental
Stranger by the Lake (2013)
This French thriller takes place at a popular beach cruising spot where an insecure man finds himself caught up in a game of sex and death as a serial killer stalks the locals. The fairly explicit moments of sex, and also murder, seek to put the “erotic” back into the erotic thriller genre.
Where to stream: digital rental
Under the Silver Lake (2018)
Writer/director David Robert Mitchell followed up It Follows with this Lynchian fever dream about a mysterious woman who appears in the apartment swimming pool of 33-year-old Sam (Andrew Garfield), and then promptly vanishes. A surreal hunt for the woman of his dreams ensues.
Where to stream: digital rental
The House of the Devil (2009)
Ti West made his name as a horror writer/director with this smart and stylish haunted house story set during the satanic panic era.
Where to stream: Peacock, Shudder, AMC+, Prime Video
Antichrist (2009)
A grotesque meditation on death and sex, Lars Von Trier’s thoroughly arthouse horror movie has attracted as many filmgoers as it has repulsed (well, probably not quite as many). Wherever you land, the performances from Willem Dafoe and Charlotte Gainsbourg are remarkable.
Where to stream: Kanopy
Black Dynamite (2009)
Black Dynamite made something like $300,000 on a $3 million budget—not a great take by any measure, but the modern assessment of the blaxploitation era has gone on to spawn an animated series and a (maybe) upcoming sequel. It works as both a satire and a subversion of ‘70s-era genre tropes as well as a celebration of them, as smart as it is silly…and it is very silly.
Where to stream: digital rental
Scott Pilgrim vs. the World (2010)
The visually stylish and clever graphic novel adaptation didn’t come close to making its money back, but was received passionately by those who did happen to catch it. It might be one of the last times that a comic book movie felt truly unique.
Where to stream: Max, digital rental
Pariah (2011)
Being the feature-length expansion of an acclaimed and much-loved short film, Dee Rees’ Pariah already had a bit of a built-in audience, but the coming-of-age story about a Black teenager embracing her lesbian identity was probably never going to be a box office smash. Still, the gorgeous and heartfelt film introduced the world to the director as well as to actor Adepero Oduye, lending the groundbreaking film an impressive afterlife.
Where to stream: Starz, digital rental
Chillerama (2011)
Though it’s a bit too self-consciously campy, some over-the-top queer humor sells this direct-to-video horror anthology. Shorts include stories of giant sperm monsters and leather-daddy werebears terrorizing the beach.
Where to stream: Tubi, digital rental
Take Shelter (2011)
Michael Shannon is perfectly cast as a father who’s not sure whether he’s protecting his family from the storm that he believes is coming, or if his paranoid delusions are the real threat. Shannon manages to project both fatherly concern and cold terror in equal measure.
Where to stream: digital rental
Attack the Block (2011)
We’re still in 2011, a good year for great movies that nobody went to see in theaters. In Attack the Block, aliens invade a council estate in South London, not counting on the teenage street gang led by John Boyega to defend it. The movie quickly developed a cult following, but drew renewed interest as its leads (Boyega and Jodie Whitaker) went on to become the stars of Star Wars and Doctor Who, respectively.
Where to stream: Max, digital rental
John Dies at the End (2012)
Another from director John Coscarelli (after Bubba Ho-Tep), who’s made a career out of making eventual cult classics, starting with Phantasm way back in 1979. Based on a twisted novel by Jason Pargin, this one’s pretty wild, with a story about a designer drug called Soy Sauce that inspires nightmarish hallucinations before summoning interdimensional demons…for a start. It’s a lot of fun for viewers who don’t mind feeling like they’ve taken some of the Sauce themselves. Paul Giamatti and Doug Jones are along for the trip.
Where to stream: Tubi, Crackle, digital rental
Only God Forgives (2013)
His earlier film, Drive, had a bit more of a moment in the zeitgeist, but writer/director Nicolas Winding Refn’s follow-up is every bit as accomplished, even if the response to it was far more polarized. The modern-day-western tropes of Drive are taken further—characters are more laconic, and the violence is more visceral. Audiences who liked those elements of Drive will appreciate Only God Forgives that much more.
Where to stream: Tubi, Crackle, Prime Video
Blue Ruin (2013)
The stylishly grim revenge drama was an early product of movie crowdfunding via Kickstarter. It does a lot on a relatively low budget and, though it did respectably well at the box office and garnered some excellent reviews, it has truly found a following via home video and streaming.
Where to stream: Tubi, digital rental
Under the Skin (2013)
Oh look, Jonathan Glazer (Birth) once again. Scarlett Johansson plays an otherworldly woman (maybe an alien?) stalking men along the road in Scotland. The movie presents lots of interesting ideas without trying very hard to pin viewers down to any particular interpretation of events. When done right, such open-endedness can inspire both debate and repeat viewings, and Under the Skin does it right.
Where to stream: digital rental
Locke (2013)
One character carries this movie, almost literally. Tom Hardy plays Ivan Locke, a construction foreman who throws everything aside to be present for the premature birth of his child by the woman with whom he had a one-night-stand many months prior. It’s a risky premise that works, thanks to Hardy and the voices that pop up on the phone while he drives (including Olivia Colman, Ruth Wilson, and Tom Holland).
Where to stream: digital rental
Coherence (2013)
With not much more than a house to shoot in, the filmmakers (lead by writer/director James Ward Byrkit) create a twisty metaphysical puzzle involving alternate universes and parallel lives.
Where to stream: Peacock, Tubi, Prime Video
Tangerine (2015)
Sin-Dee Rella, fresh from prison, meets up with her best friend Alexandra, and the two trans sex workers set out on a mission to find and punish Sin-Dee’s cheating boyfriend. With a sense of fun and a stylishly low-budget aesthetic, it’s one of the most vibrant independent movies of the last decade.
Where to stream: Netflix, Hulu, Tubi, Prime Video
Krisha (2015)
Before his breakout with It Comes at Night, Trey Edward Shults directed this stunningly original family drama about the title character, who, after struggling with addiction for decades, hopes to reconcile with her family at Thanksgiving. The raw drama that follows plays almost like a horror movie.
Where to stream: digital rental
Swiss Army Man (2016)
Daniel Radcliffe surely has one of the most impressive career trajectories in film history. From Harry Potter to flatulent corpse Manny, whose erections serve as an aid to navigation (and it’s not like he stopped here). What’s so wildly impressive about Swiss Army Man is not how funny it is, but how sweet. (Co-directors Dan Kwan and Daniel Scheinert’s follow-up Everything Everywhere All At Once might have seemed destined for cult status, but then it made a ton of money and won all the Oscars.)
Where to stream: digital rental
Slack Bay (2016)
There’s just no fathoming French filmmaking sometimes, and the world is so much the better for it. Slack Bay is a comedy of manners and class involving cannibal fisherfolk, incest, and an inexplicably floating police inspector…with Juliette Binoche! It’s glorious, even if I have no idea what it’s about.
Where to stream: digital rental
Popstar: Never Stop Stopping (2016)
Like a lot of the Lonely Island-style movies and shorts, rock mockumentary Popstar is a reasonably good blend of smart and stupid, hitting its targets (mostly modern celebrity and pop fandom) more often than not. It’s no This is Spinal Tap, but it’s in the arena. A surprising flop with surprisingly passionate fans.
Where to stream: digital rental
God’s Own Country (2017)
A charming, believable romantic drama involving a Yorkshire sheep farmer and a migrant worker from Romania, God’s Own Country is a gay drama that doesn’t lean to complete tragedy, which felt like a minor revelation back in 2017. It’s already become a queer classic.
Where to stream: digital rental
Cats (2019)
Head to the absolute bottom of the uncanny valley, and you’ll find a whole bunch of cats, it turns out. An all-star cast lead by Idris Elba and Judi Dench star in one of the most gloriously bizarre of all major Hollywood productions.
Where to stream: Netflix, digital rental
The Vast of Night (2019)
A wildly confident debut from director Andrew Patterson, this Twilight Zone riff about kids who try to track down the source of a mysterious radio sugnal succeeds on the strength of its low-budget atmosphere and impressive performances from Sierra McCormick and Jake Horowitz.
Where to stream: Prime Video
Mandibles (2020)
Just a wildly stupid but surprisingly funny, comedy about a pair of doofuses on a road trip who encounter a giant fly and decide to teach it to rob banks for them. Like one does.
Where to stream: Hulu, digital rental
Malignant (2021)
I have no idea how to judge a movie’s success in today’s world of bifurcated theatrical/streaming releases—and I’m pretty sure the studios don’t either. There’s also no way to predict what movie might become cult classics. All that being said, and even though this is a major release from popular director James Wan—it is utterly batshit, and I’m not convinced that a wide audience was ever going to find the movie’s wild twists and turns palatable. I predict cult status, but only time will tell.
Where to stream: Max, digital rental
Mandy (2018)
Look, you can try to live an idyllic life in the woods, but that doesn’t mean that you won’t ultimately be menaced by a surreal hippie cult and some demon bikers. It’s the ultimate Nicholas Cage revenge joint.
Where to stream: Hulu, Shudder, AMC+, digital rental